Sunday, June 17, 2018

Little rituals as art


What is a little ritual?  Something ordinary.  A moment when awareness sees the ordinary as something other.  A gesture.  A pause.  A stepping out of time.  


Sometimes a little ritual is left by other hands.
A glimpse into another sense of meaning.
                                                                                                                                                                 

Sometimes a little ritual is our play
that moves beyond us into its own meaning. 


The ordinary is simple.


Yet the experience of simplicity can lead to a profound silence.


  A little ritual is a celebration.  A present moment changing. 


 A thought held in a timeless moment 


A little ritual is really seeing, even if just for a moment.

"There are painters who transform the sun into a yellow spot,
but there are others who,
thanks to their art and their intelligence,
transform a yellow spot into the sun."
   
Pablo Picasso

My reflections on the present moment, silence and little rituals has been inspired by Ajahn Viradhammo, Abbot of Tisarana Buddhist Monastery in Perth, Ontario.  
Thank you for your beautiful teaching. 



Thursday, June 7, 2018

Preparing a drum making workshop


In drum making, much depends on preparation.  Long before the participants begin to work,  the workshop materials are coming together.


Hides are stirred twice daily for 7 days in a hydrated lime and water bath. 


Frame drum hoops are made weeks in advance as each one is composed of 4 laminated strips of either ash or spruce wood. To allow for proper drying only one strip is glued into place each day. This workshop of eight drums required 32 days for gluing up hoops, not counting the filling and sanding after the hoops were laminated. 


Tools are a big category of preparation.  Scissors, ulus and buck knives, hole punches, and awls are sharpened and gathered.  Rubber gloves, old towels, and aprons are also a high priority.


Creating work stations for removing the hair and flesh from the deerskin involves solving logistical puzzles of space and sturdiness.


This system of sawhorses and PVC half-pipes held in place with wooden brackets makes a successful  "deer hide train" that is ready to for the work to begin.


And once the work begins, so does the excitement of having a new adventure.


Drum making is also hard physical work, with lots of messy moments.


But the payoff is the creation of a beautiful frame drum, made with careful attention to each detail.


The learning goes beyond the physical experience, and becomes a total immersion in quiet concentration.


Thanks to Donna Williams and the Experiential Program at St. Michael's University School in Victoria BC, and to the Gorge Harbour Marina Resort on Cortes Island, for saying Yes to these remarkable six days of traditional drum making in early June.


Monday, May 21, 2018

Seafest 2018; or how to make lunch amazing


Seafest 2018 was amazing.  Lunch for 750 people cooked on campstoves and barbecues by 71 volunteers.  Here are some of my organizer  keys to success.


Start early with a good plan based on what was successful in previous years.


Pay the same good attention to everything.  Excellence truly is in the details. 



Use real food, and honor the people who provide it by telling their stories.


Have helpers who are preferably tall, and certainly calm, set up the venue.


Be there for the volunteers, not for the crowds or profit.  


Give visitors a chance to see old time skills, and meet the people who have them.



Provide entertainment so lively and tuneful that everyone wants to dance. 


Pay as much attention to break down as to set up. Maybe more.


Pay even more attention to having good help doing the dishes. 


What a pearl of a day!  Thanks to the residents and visitors on Cortes Island, to Gorge Harbour Marina Resort and to all our helpers and volunteers, from Kristen  and John. You can see lots more images of Seafest by Richard Trueman.









Wednesday, May 9, 2018

Art Lover's Quotations


I like to make an image that is so simple you can't avoid it,
and so complicated you can't figure it out.

Alex Katz


The job of the artist is always to deepen the mystery.

Francis Bacon


Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes.  Break rules.  Leave the world more interesting for your being here. 
Make. Good. Art. 

Neil Gaiman


It is the mysterious that I love in painting.  It is the stillness and the silence. I want my pictures to take effect very slowly, 
to obsess and to haunt. 

William Baziotes


Will the rim hold if the center falls out?

The Journey Oracle wisdom divination deck


                 

         

Thursday, April 19, 2018

Painting a frame drum, or the drum that painted itself (almost)


This drum skin was old and scarred and thicker than I like.  I did not at first even want to build a drum from it but I understand it is a gesture of respect to use well what is given from Nature and its creatures.


I tied the back handhold with an octagram, an ancient symbol of regeneration.  I hoped it would help the drum transform into a spirit companion.


When I paint a drum, I usually begin by painting what surrounds what I see, not the creature or story I see.  


This whale kept calling my attention, and so I used raw ultramarine pigment to dust over the area that wasn't the whale.


I added a few marks of black iron oxide.


And look what happened.


The whale was already in the skin in all its detailed magnificence.  All of the light edges of the fins and body, the subtle shading beneath the mouth,  the curve of the underbelly are not painted by me.


I positioned the drum in some late afternoon light to record the width of the frame and the position of the whale.


And it seemed to come alive.  Maybe this is what comes from honouring what is old and scarred and thick from life.  The wisdom shines out.